´s „red leather“ convices by the sythesis of straight, peppy but always housy sounding rhythmic elements and deep chords. The track “chatter” ties in with that structure and amplifies it by using some well arranged conga elements. , whose track “dirty but saxy” (Mancha001) has been played by Âme, Daniel Stefanik and Hans Nieswandt delivers [...]
![[MANCHA002] Parte Dos](http://www.cometomusic.net/v20/wp-content/themes/aquitaineTheme/aquitaine/lib/custom/timthumb.php?src=http://www.miditonal.com/c2m/various/MANCHA002/MANCHA002_A.jpg&w=286&h=286&zc=1&q=100)
![[MANCHA002] Parte Dos](http://www.cometomusic.net/v20/wp-content/themes/aquitaineTheme/aquitaine/lib/custom/timthumb.php?src=http://www.miditonal.com/c2m/various/MANCHA002/MANCHA002_B.jpg&w=286&h=286&zc=1&q=100)
Helly Larson´s „red leather“ convices by the sythesis of straight, peppy but always housy sounding rhythmic elements and deep chords. The track “chatter” ties in with that structure and amplifies it by using some well arranged conga elements.
Rik Elmont, whose track “dirty but saxy” (Mancha001) has been played by Âme, Daniel Stefanik and Hans Nieswandt delivers with “chez madame” a felicitous cocktail of dry and firmly sounding housestructures and spirited- maturely Jazz-fragments.
![[MANCHA003] Love And Pain](http://www.cometomusic.net/v20/wp-content/themes/aquitaineTheme/aquitaine/lib/custom/timthumb.php?src=http://www.miditonal.com/c2m/various/MANCHA003/MANCHA003_A.jpg&w=80&h=80&zc=1&q=100)
